QINGDAO, China–(Enterprise WIRE)–The bazaar of intangible cultural heritage “Handicrafts from Qingdao” was held in the parallel location of the “Tourism Working day China 2022” in Qingdao, and took the initially Qingdao Handicraft Pageant as an opportunity to develop an modern system for the trade, presentation, transmission and development of conventional lifestyle, as nicely as to construct up spiritual premises for the public to practical experience the attractiveness of tradition, life, inspiration and craftsmanship.
The handicrafts of intangible cultural heritage appear truly “alive” only by bringing the standard craftsmanship into people’s life and allowing Qingdao’s intangible cultural heritage to integrate into normal people’s residences and become section of their lives.
Jimo’s lace, Pingdu’s straw braiding, curial art, Laocangkou pastries, carving of cernels and walnuts, lacquerware with pickled shells of the model Jinbei Chuanshuo. The bazaar consists of both agent works of intangible cultural heritage from several districts and cities, as well as consultant handicraft performs from standard persons. Qingdao’s a variety of handicrafts remind us not only the vicissitudes of heritage, but also permit us relive the changes about the decades. Rather of sticking to the common craft that has remained unchanged for hundreds of several years, several craftsmen have preferred to pioneer and innovate to deliver the classics to life.
The physical appearance of handicrafts of intangible cultural heritage not only introduces Qingdao’s unique and wealthy agent assignments from the area of intangible cultural heritage to the public, but also raises the visibility and influence of Qingdao’s intangible cultural heritage, supplying a worthwhile opportunity for the heirs to exchange with, interact with and understand from each individual other.
The bazaar of handicrafts has both equally spawned a lot of new types and supplied start to an ecosystem that connects artisans, companies, platforms and shoppers, consequently turning the merchandise of the intangible cultural heritage from “fragmented content articles” into “branded solutions”, meeting the desires and sturdy need of the present culture to a substantial degree. While the on the net bazaar bridges the gap amongst artisans and consumers, the offline bazaar results in an psychological interaction involving the artisan and the metropolis. By turning products and solutions into lifestyle and constructing a bridge concerning production and intake, the craftsmanship is now creating into a lifestyle that opens up the horizon of people’s life.